“I RAN, THEREFORE I AM” Nima Esmailpour at SIIN Gallery

I Ran Therefore I Am : The Poster

Friday, February the 4th, SIIN Art Gallery will host “I RAN, THEREFORE I AM”, an Exhibition by Nima Esmailpour Exhibition will last until February 14, 2011. SIIN gallery is a new gallery with an interesting portfolio within its few months of existence,   which shows various mediums  in its well designed venue, located in Shahrak-e Gharb, North West of Tehran, which despite it’s large population lacks the cultural infrastructure it deserves, here is the address at No 16  Twelfth St, South Piroozan Ave, Hormozan Ave, Shahrak Gharb,Tehran and visiting hours is Daily 3 to 7 pm except on Thursdays.

Although the text/letter featured in the press release by Homayoun Sirizi doesn’t say much about the works neither the poster itself but positively makes us curious to see the show:

To Nima
Those days you did not even exist in your mother’s womb, leave alone knowing about Benjamin or
coming to streets or reading aloud street history book by heart….
History had no time for your birth. Those days, nobody had time to hesitate a little. You
had to escape from bullets, to run from one street to another, so that the bullet darting faster than
you lost its way in the alleys and hit a wall or someone’s chest. If you even climbed up a tree you
were not a hundred-years-old crow. Remember it was under the same tree in Bagh-e-Shah that they
chopped heads off or hung the Sheik from the same branches of the same tree which withered so
fast in August to make you hesitate for a short time, a very short time….
But all those years had turned into a piece of stone in the hands of people and it was thrown
towards a future blocked by the hangman. Ten, twenty meters further as you bend to pick a stone
from the pavement, a crow flies away: by instinct, like a man who runs away when he hears the
sound of a bullet, no matter where and when it is fired, whether it is at the start of a marathon or at
the end of a peaceful demonstration… You just run… which direction? Which end line? Running after
which prize makes you drag history behind yourself?
In which day of which month? Is year anything more than one point increase in a number? It
is apparent from the futility of the calendar made by you that you have engaged in making history.
As if you are able to write while running.
The earth intends to continue its circular path forever.
The mildness of spring and winter revolution is only good for earthworms and radishes.
Homayoun Sirizi
Jan. 2011

Parkingallery.com featured on Neshan Magazine

Neshan Magazine Cover no 22
Cover of Neshan Magazine Issue 22

We are happy to let you know that Parkingallery website has been featured in 22nd issue of Neshan magazine in an article showcasing a selection of Iranian websites, Sasan Bahzadi in his bilingual review “Design with objectives” writes :

… Designing websites, even the advanced ones, has long been prevalent in our country but just recently has taken on a more professional appearance and evolved from being exhibitory to being more applicable.
The reason for this advancement is the new collaboration between web designers and programmers. In the past, aesthetics were the only key aspect to web design but with the Internet’s gradual change (from a mere visual medium to a multi-media network) other qualities such as site efficiency, innovation and dynamism have become more prominent in prompting designers and programmers for teamwork.
In the last few years in Iran, by comparing the quality of multimedia, website development with global advancement and development of the Internet, though remarkable, but far from maturity.
The following introduced websites were selected based on 4 qualities: design, innovation, applicability and content attribution.

Behzadi also briefly reviews Parkingallery website along other outstanding examples like the website of Aun Gallery , to a more minimal informative one page portal Tehraner and a conceptual web project like Bloob :

The Parkingallery website is a showcase to introduce young Iranian artists. Simple design and thorough contents have turned this site into a reference source to assess the pulse of unconventional artists. The site’s English-only version indicates its owners’ tendency to introduce artists to galleries abroad. Personal web logs giving it an informative nature inspire the design. The existing links on the right side of every page provides easy navigation to different sections such as projects, exhibitions and the artist’ sites. Users can write their opinion about every project but unfortunately only in English. Parkingallery, with its simple but beautiful design and up-to-date materials, is worth spending some time browsing through.

Browse the website of Neshan magazine here for more info and here to read the full article.

Seeing Studies, workshop and book release

Seeing Studies
Seeing Studies Book Cover designed by Farhad Fozouni
Seeing Studies Book Cover designed by Farhad Fozouni

Natascha Sadr Haghighian & Ashkan Sepahvand for the institute for incongruous translation

Taking shape in three chapters:
Spoken workshop sessions: 19-22 January 2011
Printed book release: 19-22 January 2011
Spatial through 13 February 2011

Casco invites you to four days of presentations, discussions and screenings as part of the project ‘seeing studies’. The sessions accompany the release of the publication ‘seeing studies’, edited by Natascha Sadr Haghighian and Ashkan Sepahvand for the institute for incongruous translation and produced by dOCUMENTA (13) with Casco and published by Hatje Cantz. These four days are seen as a communal gathering in which discussions and fields of inquiry explored in the publication will be extended and reflected upon, with interlocutors from ‘seeing studies’ coming together at Casco to present their work and converse with one another and guests (see the programme below). Continue reading Seeing Studies, workshop and book release

Barbad Golshiri at Aaran Art Gallery

“And I Regurgitate And I Gulp It Down ”
Barbad Golshiri‘s Solo Show Opens at Aaran Gallery Tehran on 21st January 2011.

“ Aktion “
“ Aktion “. ( Distribution of…). C.Print.31x47 cm. photograph by Olka Hedayat.

In a deserted place in Iran there is a not very tall stone tower that has neither door nor window. In the only room (with a dirt floor and shaped like a circle ) there is a wooden table and a bench. In that circular cell , a man who looks like me is writing in letters I cannot understand. A long poem about a man who in another circular cell is writing a poem about a man who in another cell…
The process never ends and no one will be able to read what the prisoners write.
Jorge Luis Borges.

“A Dream”, The New Yorker,

AAran Art Gallery. Tehran.
No 12 dey street. North Kheradmand ave.
Tel +9821 88829086- 9
www.aarangallery.com

“Selfdom, a personal project” at Haftsamar Art Gallery

Selfdom, a personal project
Selfdom a personal project, poster designed by Amirali Ghasemi

Selfdom / a personal project

Curated by Yashar Samimi Mofakham
Artists:
Ali Alavi | Azarakhsh Asgari | Sahand Behrouzi | Amirali Ghasemi | Alireza Ghazi | Sahand Hesamiyan | Baktash Sarang Javanbakht | Tarlan Rafiee | Nastaran Safaei | Yashar Samimi Mofakham |

21-26 jan 2011, 4-8 pm

I sing because — I am a singer. But I use you for it because I — need ears
Max Stirner

It is more likely that an artist knows his own selfdom more than anybody else. such a vast realm – in his own presumption- which is the centre of the world and affected by the outside world and everything around it. This is the most vulnerable place of all, since the beginning of mankind and will be so, till the end of time.

Probably, there is no king as conscious to his kingdom as him and in the same time, there is no place as unknown as the labyrinth of ego. It is a place that only one person knows its every sheltered spot and obscure corner and it’s him who can let the others inside and show them as much of his selfdom as he likes them to see.

In this exhibition, we decide to show you some of this realm, this is one of those corners that we thought is in need of eyes, to be seen by others. It was an opportunity to show some of the highlights of our minds, a personal project to show our selfdom.

Yashar Samimi Mofakham- Curator
2010

Haftsamar Art Gallery
Add: No.8, 5th Alley,Kooh-e Noor st.,Motahhari Ave. Tehran, Iran
Tel :+9821 88731403

TELEVISION at Mohsen art Gallery

Television Groupe exhibition
Television Groupe exhibition, Designed by Aria Kasaei

TV
Mohsen Art Gallery
Curated by Peyman Shefiezadeh
Artists:
Omid Mehdizadeh, Iman Safaie, Nastaran Safaie, Peyman Shafieezadeh, Vahid Danaifar, Mehran Mohajer, Safaeddin Emami, Yaser Mirzaee, Amin Davaie, Hamed Rashtian, Sohrab M.Kashani, Babak Kazemi, Farshid Tafaroji, Amirhossein Biparva, Amirali Ghasemi, Mohammad Fatehi, Mahmood Nouraie, Peyman Hooshmandzadeh
Jan 14 – 24 2011, 4-8 pm
discussion panel: Jan 24th, 6-8 pm
Gallery is closed on Thursdays.

From the Exhibition Catalog:

The initial idea of this exhibition came into my mind when I looked at the well-known art work of pop art er titled “Just what is it that makes today’s home so different, so appealing?” by Richard Hamilton. I asked the same question from myself and the answer to this contemplation was Media. The common indicator of all the media is Television which undoubtedly almost all the people of the world deal with it by some means.

Television, as the most powerful medium, is considered as the common language of people all over the world. After a little consideration we cloud conclude that this little but impressive box has occupied our mind with too many patterns and samples so we are not able to connect with the real world anymore. This magic box dominates every small or big decision of ours, so avoiding it, means to evade the whole world and its people.
This collection attempts to acquaint us more with this old member of the family, so maybe this crack on its body cloud reveal the inner reality of it.

Peyman Shafieezadeh

Mohsen Art Gallery
Address: No. 42, East Mina Blvd, Farzan Street, Naji Street, Zafar, Tehran
Telephone: 22255354