Benevolent Presence of Mikaeil Rahmani at Siin gallery,Tehran

Benevolent-Presence حضور خوشخیم
Benevolent-Presence حضور خوشخیم

Siin Art Gallery hosts Mikaeil Rahmani’s exhibition Benevolent Presence, from 27th of may to June 11th, 2011 3-7 pm except Thursdays. the gallery will be closed on June 2nd to 5th due to the public holidays.

Opening night: Friday May 27th, 2011, 4-8 pm
Poster is designed by Foad Sharifi

Mikaeel-Rahmani from Benevolent-Presence Serie
Mikaeel-Rahmani from Benevolent-Presence Serie

Siin gallery :
No 16,  12th St, South Pirouzan Ave, Hormozan Ave, Shahrak Gharb,Tehran
Tel: +98 21 88376623
http://www.siingallery.com

Friday Feb. 25th 2011 in Galleries Across Tehran

The Doll, Group Exhibition Poster designed by Studio Kargah
The Doll, Group Exhibition Poster designed by Studio Kargah

Shirin Art Gallery hosts Group Exhibition ” The Doll” curated by Behnam Kamrani  from Feb. 25th 2011 From 16-20,the show will be on view through March 9th 2011 and the visiting hours is 11-20 except Mondays. Show includes works by along  list of names from the stars to upcoming artists, so let’s wait and see what is has to reveal for Tehranis’ Gallery hoppers!  For more info and the address click here.

Suddenly, Nothing Happened Poster Designed by Behrad Javanbakht

This Friday Masoumeh Bakhtiary’s latest solo show” Suddenly, Nothing happened” opens at Azad art Gallery, 4-8 PM.
It will continue till March the 2nd,2011 .The address for the ones who still don’t know it by heart, is No. 5 , Salmas Sq., Golha Sq ., Fatemi Sq. Tehran 14317 – Iran.

Seyfollah Samadian at Tassvir Magazine headquarters

Seyfollah Samadian is the man behind the “Image of the year” the annual magazine and the biggest visual art event of the year in town, it gathers individuals from documentary to fine art photography and from cartoon to Graphic design “Image of the year” opens this Saturday with one more delay due to some irregularities at Iranian artist forum although it was supposed to open on Friday, that’s why we include it in our Friday preview. Click for more tassvir.com we hope that soon they will finish their website and put some of the treasure archive they’ve got somewhere online! According to Iranian artists’ forum the festival goes on till 13th of march. Iran Artists Forum is located at  Honar Garden, Mosavi St, Taleghani Ave., Tehran, IRAN.

Five Unusual Encounters Feb 23rd – 2011, Tehran

Parkingallery Projects presents:
Five Unusual Encounters

Five Unusual Encounters , Networking Event, Artist talks and presentations of recent non conventional art projects in Public Sphere
Networking Event, Artist talks and presentations of recent non conventional art projects in Public Sphere:

Networking Event, Artist talks and presentations of recent non conventional art projects in Public Sphere:
Wednesday Feb 23rd -2011, 6-8 pm
Program:
Introduction  Amirali Ghasemi
Daricheh Nokhost (Sanandaj) Mikail Rahmani
Neshani (Sanandaj) & Memorials for Ardeshir & Bahman Mohahses (Lahijan) Foad Sharifi
Factory Garden Project (Yazd) Golrokh Broumandi & Hamed Rashtian
Recent Public Installations (Tehran) Elmira Mahnia, Elmira Yousefi, Elnaz Ezzati, Sepideh Zamani, Ayda Alizadeh, Mahtab Alizadeh
Being Happy For No Reason Project Launch (Tehran) Amirali Ghasemi on 23 Feb 2011

With Special thanks to Mohsen Art Gallery, Tehran

Location:
Mohsen Art Gallery
Address: No. 42, East Mina Blvd, Farzan Street, Naji Street, Zafar, Tehran
Telephone: 22255354

TELEVISION at Mohsen art Gallery

Television Groupe exhibition
Television Groupe exhibition, Designed by Aria Kasaei

TV
Mohsen Art Gallery
Curated by Peyman Shefiezadeh
Artists:
Omid Mehdizadeh, Iman Safaie, Nastaran Safaie, Peyman Shafieezadeh, Vahid Danaifar, Mehran Mohajer, Safaeddin Emami, Yaser Mirzaee, Amin Davaie, Hamed Rashtian, Sohrab M.Kashani, Babak Kazemi, Farshid Tafaroji, Amirhossein Biparva, Amirali Ghasemi, Mohammad Fatehi, Mahmood Nouraie, Peyman Hooshmandzadeh
Jan 14 – 24 2011, 4-8 pm
discussion panel: Jan 24th, 6-8 pm
Gallery is closed on Thursdays.

From the Exhibition Catalog:

The initial idea of this exhibition came into my mind when I looked at the well-known art work of pop art er titled “Just what is it that makes today’s home so different, so appealing?” by Richard Hamilton. I asked the same question from myself and the answer to this contemplation was Media. The common indicator of all the media is Television which undoubtedly almost all the people of the world deal with it by some means.

Television, as the most powerful medium, is considered as the common language of people all over the world. After a little consideration we cloud conclude that this little but impressive box has occupied our mind with too many patterns and samples so we are not able to connect with the real world anymore. This magic box dominates every small or big decision of ours, so avoiding it, means to evade the whole world and its people.
This collection attempts to acquaint us more with this old member of the family, so maybe this crack on its body cloud reveal the inner reality of it.

Peyman Shafieezadeh

Mohsen Art Gallery
Address: No. 42, East Mina Blvd, Farzan Street, Naji Street, Zafar, Tehran
Telephone: 22255354

I’ll never be the same…Iranian videos from Tehran and elsewhere

I’ll never be the same…
Iranian videos from Tehran and elsewhere
Curated by Amirali Ghasemi

Sona Safaei | Alphabet | 1:30

Payam Mofidi | Shaer Koshi (Poèticide) | 10:45
Farid Jafari Samarghandi | Lips & Crazy Eyes (for Series 1234 for love) | 5:52
Amirali Navaee | As I Was Leaving My City | 3:00
Elham Doust Haghighi | One Stupid Idea | 5:17
Ahmad Zolfagharian | Under Destruction | 2:00
Nassrin Nasser | Untitled | 3:43

Toronto, Paris, Tehran, London and Stockholm. These are where the creators of these videos and short films are geographically located in, what ties them together? The journey begins with letters; A moment of suspense, while we know it won’t last long, leads us to fragile moments of a young girl’s dream, driven to a trance where its performers are only known by their lips and their eyes; The trip continues with a cheerful and at the same time tragic dance moves of a restless soul transporting us along the sidewalk of an unknown city. Moving back in time, we encounter an alternative story of Creation while we long for a solution of our own everyday crisis. Playing it cool for 2 minutes, the wicked joy of an endless computer game is enough to bring us back to the reality of the virtual world. Where we are free to choose to get on board surfing the waves of a music video or to get hypnotized like its character’s daily struggle with death. We will never be the same…

Amirali Ghasemi, Nov 2010, Tehran

Video Cube at Contemporary Istanbul
Nov 25-28, 2010
For more information, address and visiting hours
Please visit : http://www.contemporaryistanbul.com/

IRAN & CO. Exhibition photos and Review #2

Iran&Co The Exhibition, 3 other projects are featured in our 2nd post, photos by Amirali Ghasemi, Afshin Dehkordi, Farid Jafari and Milad Houshmandzadeh.

Your Majesty by Setareh Jabbari
Installation, 2010
Mixed Technique

Iran&co - Setareh Jabbari Your Majesty

Family Album by Setareh Masoumbeiki
Photo Installation,2010
12 Photos mounted on Plexiglas, Wooden Table

Iran&co - Setareh Masoumbeiki Family Album

Un ange qui passe by Milad Houshmandzadeh
Site specific Sound Installation,2010
Audio Collage Piece, Cans, Water, Tapedeck, Motion Detector

Iran&co - Milad Houshmandzadeh - Un ange qui passe.

Iran&Co - Un ange qui passe by Milad Houshmandzadeh

IRAN & CO. Exhibition photos and Review #1

Iran & Co the exhibition and the archive just ended on November 2nd in La Brugeoise, a 1912 power station
an architectural masterpiece and a protected historical monument, the exhibition showcased uniquely
commissioned works by 11 emerging Iranian artist.
The exhibition catalog will be published in early 2011, as the exhibition will be traveling to London next year
Iran & Co is curated by Amirali Ghasemi

Memory of the Azadi Tower by Melika Shafahi
Slide Projection – 2010
Memory of Azadi Tower by Melika-Shafahi.jpg

The Arc by Mojtaba Amini
Installation, 2010
Wine glasses, Metal Staucture and Fishing Line
Iran&Co. - The Arc by Mojtaba Amini

Saying by Behrad Javanbakht
“Every end had a beginning” –The standing flag
“What’s right is right, what’s wrong is wrong and who are you to sing along ” – The Fallen flag
Installation, 2010
Sail, Permanent Marker, Coffee, Enamel Paint and Flag Poles

Iran&Co. - Saying(The Flags) by Behrad Javanbkaht

The Power of Christ by Farid Jafari Samarghandi
DVD Loop, 2010
Iran&Co. - The power of Christ by Farid Jafari Samarghandi

See-Saws by Golrokh Broumandi
Installation, 2010
Wood, Carpet,Mirror, Chair Canning, Wall paper and metal
Iran&Co. Seesaws by Golrokh-Broumandi

Iran&Co. - Seesaws by Golrokh Broumandi

Photos of this exhibition review are mainly taken by Afshin Dehkordi and the rest of credits goes to
Ehsan Behmanesh, Farid Jafari, Amirali Ghasemi and Milad Houshmandzadeh.

Our big thanks to all of them and the kind people who made all this happen so far.
The rest of review and images will be featured in the following posts… so stay tuned!

Iran&Co. Opens at 24.10.2010, 11 a.m. Bruges

Artists:
Nazanin Aharipour|Mojtaba Amini|Golrokh Broumandi|Ali Ettehad|Farid Jafari Samarghandi|Setareh Masoumbeiki|Setareh Jabbari|Behrad Javanbakht|Sona Safaie|Melika Shafahi|Milad Houshmandzadeh

Curator : Amirali Ghasemi

Bruges(Bel) : 24 october -2 november 2010 in the buildings of
‘La Brugeoise’, Vaartdijkstraat 5-7, 8200 Bruges.
Horizon 1: towards a new curatorial platform in the Cultural Centre.

The Cultuurcentrum of Bruges launches its new international curatorial platform called Horizon on the 24th of october 2010. The Cultuurcentrum intends to invite each year one or more guest curators, who develop a range of new projects within the Horizon frame work, both in Bruges as in other countries. In Horizon we focus on the personal and local perspective of the guest curator in relation to the international context. For the first edition the independent Iranian curator Amirali Ghasemi (*1980, Tehran) conceived the multi-layered, itinerant art project Iran&co, together with his curatorial team and the participating artists.

Iran 2005-2010.
The last five years, the international art world was engulfed by hundreds of exhibitions and publications dealing with art from Iran and the Middle East, with again an emphasis on Iran.
In so far that some voices speak, since 2005, about an ‘Iran Boom’.
This ‘new artistic wave’ brings to mind memories of the ‘sudden apparition’ of contemporary art from China, India or Eastern Europe, in the nineties.
The curatorial team of Iran&co started to analyse this phenomenon, emphasizing the specific Iranian condition, both within Iran and the diaspora, and its different representations produced in a mainly ‘western context’.This explains moreover the choice of the title: Iran&co. It refers to the realm of companies and multinationals, the businessess actually producing the brand ‘Iran’.

Lastly, Iran&co functions also as a trope for other typical national, identity based or so-called ethnic-cultural projects.

Iran&co, the Archive, Documentary: Iran Beyond Borders (1960-2010)

Iran&co consist of three distinct parts: an exhibition, an archive and a documentary installation, which evolves constantly in time and space.In Bruges the visitor will witness a first presentation of this project. The archive and documentary installation on show, cover only a fraction of the existing material.In the second stage in London(fall 2011), a more elaborated version will be exhibited.The first part consists of a site specific Exhibition of contemporary art, made by 11 emerging artists, mostly under 30,9 based in Iran and 2 studying outside the country (in France & Canada).

The exhibition consists of exclusively commissioned art works, which is a totally different approach to most projects held in the contemporary Iranian context expect for few biennial appearances, where the focus lies on object related artworks conceived chiefly for galleries and collectors. In Iran&co, the artists tackle a wide range of issues central to the Iran&co project such as: ‘The question of identity in thematic based exhibitions, the production and representation of forms of ‘Iranianness’, the status of the artist from a performative perspective, the reanactment of the position of the ‘Iranian artist’, themes as the void, absence and invisibility as part of the Iranian condition beside the humour and playfulness in often metaphorical textual and sculptural forms invisibility as part of the Iranian condition, the question of neo-Orientalism, etc.

The second part consists of an extensive Archive, which in the first exhibition stage in Bruges focusses mainly on the exhibitions with art from Iran, and held in the West in the last decade.Besides the important cartographic dimension, the Archive can shed light on a range of representations, exotic and other stereotypes about the current Iranian condition.

The third part consists of the extensive video-documentary Iran beyond borders’(1960- 2010). The curatorial team gathered more then 100 new interviews with some of the key players, from both in Iran and outside the country. This is an ongoing process which will be shown to the public in London in 2011 and probably beyond in different forms and formats.As with the Archive, the documentary installation is important for the cartography of both modernist and contemporary art movements. Further more it gives the visitor some incisive views on the Iran Boom, and the general artistic history of Iran from 1960 till now.

Unique interviews with Rose Issa, Shadi Ghadirian, Anthony Downey, Hans Ulrich Obrist, Hamid Keshmirshekan, Okwui Enwezor, Khosrow Hassansadeh Catherine David, Farshid Mesghali, Alireza SamiAzar, Vali Mahlouji, Shadi Mahmoudian, Koroosh Adim, Iman Afsarian, Rozita sharfjahan, Hamid Severi, Jinoos Taghizadeh, Haleh Anvari , Poya Arianpour, Mahmoud Bakhshi and Barbad Golshiri, among many other artists, collectors, curators and experts.

Info: Cultuurcentrum Brugge, 00 32 50 44 30 40

Curatorial team: Amirali Ghasemi, Michel Dewilde, Azar Mahmoudian
Poster designed by Behrad Javanbakht

The exhibtion travels to London (november 2011) & Berlin (october 2012)
Organisation: Cultuurcentrum Brugge in collaboration with Parkingallery Tehran

www.ccbrugge.be, www.parkingallery.com
www.iranandco.com, www.ccbhorizon.be

Muniments: Iran – Works by Afshin Dehkordi

Muniments

Muniments: Iran - Works by Afshin Dehkordi
Afshin Dehkordi, "Salted Scenes I-VI." Giclée print on aluminium, 50.8 x 40.6 cm. Copyright Afshin Dehkordi. Courtesy of the artist.

1 October – 11 November 2010
Black Dog Publishing, 10A Acton Street, London – WC1X 9NG
T: + 44 (0) 207 713 5097
press@blackdogonline.com
Monday – Friday 12-5 pm
www.dehkordi.co.uk

Muniments is the first UK solo show of the photographic and text installation work of the Iranian born British artist Afshin Dehkordi. Focusing on the tangled and contradictory relationships between Iran and the West, Muniments peels open the subtle layers of public and private ownership in contemporary Iranian society.

The works display the underlying drama and construction of the ‘story,’ inherent within the language of journalism and an important concern within Muniments. A shift in awareness occurs as the mix between migration, architecture and borders reveals seductive social and personal ideals or longings that are sharply displaced from focus. The relationship to documentary and fiction is never quite separated in Muniments. We are shown through photographs and texts the special complexity of borders—that different kinds exist all around us and that the understanding of the border as a line or single place is perhaps obsolete.

The exhibition is set within two spaces that hold an ambiguous physical edge to the photographs and the texts. From the mountains of Tafresh, to the urban cityscapes of Tehran and to the salt desert of Daryache-Namak. Muninents interest lies in the politics of appearance, in terms of tracing experiences, memories and histories that are rendered largely invisible and how this invisibility occurs in reality.

This is the afterlife of Dehkordi’s migration between Iran and Britain and it calls attention to what extent that part of the journey is rendered visible and invisible. The exhibition appears to move between the surfaces of a personal use of utopia—not escapist or apolitical, but one where it becomes a critical force against the perceived reality that exists and the closed bi-cultural language of the past.

Dehkordi was born in Iran in 1975. He studied Mathematics at University College London and Economics at Harvard. He has exhibited internationally, and cultivates his artistic practice alongside award-winning work for the BBC. Dehkordi’s work is included in Black Dog Publishing’s Contemporary Art in The Middle East.