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  • Royal Shuffle — Chess960 Practice Tool: What to Know

    Royal Shuffle — Chess960 Practice Tool: A Practical Guide for Players

    What Is Royal Shuffle — Chess960 Practice Tool and How Does It Work?

    Royal Shuffle is a web‑based platform designed specifically for practicing Chess960, the variant that randomizes the back‑rank pieces while preserving the usual pawn structure. The tool generates legal starting positions instantly, lets you play against a built‑in engine, or sets up puzzles that target specific opening ideas. By handling the randomization algorithm for you, it removes the administrative hassle and lets you focus on pattern recognition and strategic planning.

    Because the interface runs in a browser, you can access it from a laptop, tablet, or smartphone without installing additional software. The engine supports multiple difficulty levels, allowing beginners to start with simple positions and advanced players to test deep calculation skills. All moves are recorded automatically, so you can review games later through a built‑in dashboard.

    Key Features of Royal Shuffle — Chess960 Practice Tool

    Royal Shuffle combines several practical features that make it a solid choice for serious Chess960 training:

    • Random Position Generator: Instantly creates a legal Chess960 start with a single click.
    • Adjustable Engine Strength: Choose from beginner to grandmaster levels.
    • Move History Dashboard: Review every move with timestamps and annotations.
    • Puzzle Library: Over 500 curated puzzles focusing on opening traps and middlegame motifs.
    • Export Options: Save games in PGN format for analysis in external engines.

    These features translate directly into benefits such as faster skill acquisition, deeper understanding of unconventional opening ideas, and a convenient workflow that fits into daily training routines.

    Who Is Royal Shuffle Best For?

    The tool is aimed at a broad spectrum of players, but certain groups will find it especially valuable:

    • Club Players: Those who want to introduce Chess960 to members without spending time setting up positions manually.
    • Coaches and Instructors: Use the dashboard to assign puzzles and track student progress.
    • Competitive Improvers: Players preparing for tournaments that feature Chess960 formats.
    • Casual Enthusiasts: Anyone curious about the variant and looking for a low‑maintenance way to explore.

    Because it runs entirely online, the platform scales from individual use to small teams, making it flexible for both personal practice and organized training sessions.

    Setup and First‑Time Use: A Step‑by‑Step Walkthrough

    Getting started with Royal Shuffle is straightforward. Follow these steps to have your first practice game ready in minutes:

    1. Visit the official website and click “Sign Up.” Provide an email address and create a password.
    2. Verify your email using the link sent to your inbox.
    3. Log in and navigate to the “New Game” tab. Choose “Chess960” from the variant menu.
    4. Select your preferred engine strength, or opt for “Human vs. Human” if you want to play a friend.
    5. Press “Generate Position” and start playing. Use the on‑screen controls to undo moves or request a hint.
    6. After the game, open the “Dashboard” to review the move list, add notes, or export the PGN.

    The platform also supports single sign‑on integrations with popular services such as Google and Apple, reducing the friction of account management for users who prefer existing credentials.

    Practical Use Cases and Training Workflows

    Royal Shuffle can be woven into various training workflows. Below are three common scenarios:

    • Opening Exploration: Generate a random start, play the first ten moves, and then pause to analyze the resulting structure. This helps you internalize atypical piece placements.
    • Speed Drills: Set a timer for five minutes and attempt to complete as many puzzles as possible. Track accuracy through the dashboard to monitor improvement.
    • Coach‑Led Sessions: Instructors assign specific positions to students, who then submit their solutions for feedback within the platform.

    These workflows emphasize automation and clear metrics, allowing you to align practice sessions with specific business needs such as measurable skill growth or curriculum alignment.

    Pricing Overview and Value Considerations

    Royal Shuffle offers a tiered pricing model that balances accessibility with advanced capabilities. Below is a quick comparison of the current plans:

    Plan Monthly Price (USD) Key Inclusions Best For
    Free $0 Unlimited random positions, basic engine, limited puzzle access Casual players and newcomers
    Pro $9.99 All puzzles, advanced engine levels, export options, priority support Club members and regular trainers
    Team $29.99 per user Team dashboard, multi‑user analytics, integration API, dedicated account manager Coaches, schools, and small organizations

    When evaluating cost, consider how the included features align with your training goals. For most individual players, the Pro plan offers the best balance of features and affordability, while teams looking for analytics and integration should explore the Team tier. To learn more about the educational content available, check out the Royal Shuffle Chess960 course.

    Support, Reliability, and Security

    Royal Shuffle maintains a 99.9% uptime guarantee thanks to cloud‑based hosting and redundant servers. If you encounter technical issues, the support team is reachable via live chat, email, and a searchable knowledge base. Premium plans receive priority response times, ensuring minimal disruption during critical training sessions.

    Security is handled through industry‑standard SSL encryption for all data in transit, and user passwords are stored using salted hashing. The platform complies with basic privacy regulations applicable to U.S. users, offering options to delete your data permanently at any time.

    How Royal Shuffle Stacks Up Against Alternatives

    Several other Chess960 tools exist, but Royal Shuffle distinguishes itself through its integrated dashboard, flexible pricing, and focus on both individual and team workflows. While some free generators lack engine support or puzzle libraries, Royal Shuffle combines these elements in a single, browser‑based environment.

    If you prioritize a seamless setup, reliable performance, and a clear upgrade path from casual use to organized coaching, Royal Shuffle is often the most practical choice. However, users who require offline play may need to supplement with downloadable engines.

    Frequently Asked Questions

    Can I play Chess960 with a friend on the same device?

    Yes. The “Human vs. Human” mode lets two players share a screen, taking turns manually. The platform records each move, so you can review the game later.

    Is there a mobile app?

    Currently the service is web‑only, but it is fully responsive and works well on modern mobile browsers without the need for a dedicated app.

    Do I need a strong internet connection?

    A stable connection is recommended for smooth engine calculations, but the platform also offers a low‑bandwidth mode that reduces graphical elements to keep gameplay responsive.

  • باز‌عکس‌نا‍‌پذیری | پدرام بالداری

    Irrexxxsible : An Installation by Pedram Baldari, Poster Designed by Hamid Nikkhah
    باز‌عکس‌نا‍پذیری یا بازاِکس‌ناپذیری، آن‌چنان که بالداری می‌نامد‌ش، مجموعه‌ایست از ۱۲ عکس رادیولژی بر ۱۲ نگاتوسکوپ، جعبه‌نوری که تقریبا همه در مطب استخوان‌پزشکان مشابه‌اش را دیده‌ایم،  هرعکس به سبب شیوه ویژه تصویر‌برداری، نسخه‌ای یگانه و غیر‌قابل بازتولید است، و همین آن را جذابیتی دوچندان می‌بخشد، چرا که از سودای تولید و باز تولید دیوانه‌واری که یکی از جنبه‌های موضوعی اثر حول آن می‌گردد، دورش می‌کند.

    بالداری با پیمودن مسیری مشابه عکاسی مُد، دور از استودیو عکاسی، این بار با دستگاه رادیولژی در محیط بیمارستانی، خود و مدل‌هایش را تحت اشعه الکترو‌مغناطیسی قرار می‌دهد و این دقیقا متضاد، وقتی است که هلموت نیوتن، برای ارضای حس کنجکاوی‌اش، – که جواهرات سه ملیون دلاری زیر اشعه ایکس چگونه به نظر می رسند- مدل هایش را قطار می‌کند. آنچه تغییر کرده تنها زمانه و مکان این اتفاق نیست، نسخه‌‌های«اصل» و «مشابه» و «قلابی» ملحقات و زیور‌ها و اشیا مارک‌دار این بار با تولید عمده سراسر جهان را در‌نوردیده‌اند. وی تصویر قرن بیست‌و‌یکمی قربانیان مضاعف مُد را، برهنه اما، عاری از جنسیت، دور از رقابت‌های جاری مصرف‌گرایانه، سایزها و معیار‌های‌ لاغری و پرورش اندام، بیرحمانه به رخ می‌کشد.
    چیدمان بالداری گالری را ناگهان به  فضایی با کارکردی دوگانه بدل می کند: رصدخانه‌ای اجتماعی و آزمایشگاهی پزشکی تا لایه های زیرین جامعه را بکاود،  حالی که لابلای رنگهای تند و نیرنگ های روزافزونش نهان نیست.
     
    امیرعلی قاسمی، فروردین ۱۳۸۹
     
    نگارخانه بومرنگ
    چیدمانی از پدرام بالداری
    جمعه ۲۷فروردین تا ۶ اردیبهشت ۱۳۸۹
    ساعت چهار تا هشت
    تهران، وزرا،خیابان دهم، شماره پانزده
     
  • شیوا انصاری‌فرد | انگار دیده بودم … | گالری بومرنگ

    As if I had seen, Shiva Ansarifard poster by Amirali Ghasemi

    … شیوا انصاری‌فرد | انگار دیده بودم

    چیدمان شیوا انصاری  فرد در نگاه اول، کوهی از تصاویری است که درون مانیتورها در فضا معلق مانده ‌اند و حس اولیه‌ی ‌بیننده را در تعلیقی نا‌خواسته نگاه می‌دارد، هرآن انتظار دیدن ادامه ‌ی تصاویر را داریم، مطابق عادت ذهنی‌مان هنگام تلویزیون دیدن. اما نه، هیچ خبری از ادامه ‌ی تصاویر نیست و آن هجمه ‌ی داده ‌های تلویزیونی به کلاژهایی در نور جهنده‌ا‌ی  فروکاسته شده‌اند. گویی انتظار دیگری از ما دارند: انتظار جلوتر رفتن، دقیق‌تر شدن و تکیه کردن به برداشت‌های تاویل‌گرانه‌مان

    اثر، فضای تاریک گالری را با نور لرزانی روشن می‌کند، فروتنانه در صدد مقهور نمودن مخاطب بر نمی‌آید، درست بر خلاف انباشتگی سرسام آور چیدمان‌های تلویزیونی «نام‌ جون‌ پایک»، تصاویر متحرک از پیش ضبط‌ شده را کنار می‌گذارد و جنون سرعت چهار دهه‌ی پیش را نادیده می‌گیرد. سرگیجه‌ی نشئه‌آور دهه‌ی هفتاد، به چشم بر‌هم‌زدنی در سکون این چیدمان، به لحظه‌ای معلق در فضا بدل می‌شود. گویی رسانه هنوز در این کار، پیام است، اما پیام دیگر همان رسانه نیست

    جمعه ۲۷فروردین تا ۶ اردیبهشت ۱۳۸۹
    ساعت چهار تا هشت

    نگارخانه بومرنگ
    خیابان وزرا، کوچه دهم، شماره ۱۵ – ۸۸۵۵۶۸۹۸
  • Introducing New Media Society

    Introducing New Media Society

    Parkingallery Projects had started its activities in Summer 1998 in a garage space in North-West of Tehran, it has established Parking Video Library in 2003-2004, as a research platform for Video, Moving images and experimental film. Back in 2007, after an exchange project with Berlin,  3 artists who were based in Tehran at a time,  gathered in a Cafe to discuss the necessity of a collective dedicated to New Media Arts in Tehran, Translation, Archiving, and Education were on the top of their list of ideas. Although that didn’t lead anywhere concrete at the time. Those continuous conversations paved the way for what is now called “New Media Society”.  Established in 2014, the young initiative didn’t have a permanent space for a year and after working in a rented temporary office in downtown Tehran for a couple of months, finally, they landed in a small house in Karimkhan Ave, which later became what is now known as New Media Projects, a library,  an Archive, and a project space. in the following years, started to host its own events and soon other collectives joined to hold their programs at the space, an analog photo lab was added to space and a curated residency program.

     

  • Limited Access 8 | Website Launch

    Limited Access 8 | Website Launch

    Limited Access Festival for Moving Images, Sound and Performance celebrated its 12 year anniversary this summer with the 8th edition at 6+2 locations in Tehran, followed by an Event in Isfahan.

  • Twenty years of parkingallery!

    Twenty years of parkingallery!

    Hello, everyone!

    2018 marks the 20th anniversary of Parkingallery, a design studio, a project room, library, and archive, Stay Tuned for the updates, we are working on a publication to be launched this year and a series of events…

    Warm wishes from Tehran and till very soon!

  • Limited Access 6: Sound at Tehran Museum of Contemporary arts | Feb 2016

    دسترسی محدود صدا در موزه‌ی هنرهای معاصر تهران
    جامعه‌ی تجربی نیومدیا و کانون موسیقی معاصر با همکاری موزه‌ی هنرهای معاصر تهران برگزار می کنند:
    دسترسی محدود صدا، مجموعه‌ی اجراهای صدا به صورت تبادل هنرمندان ایرانی و بین المللی است. در موزه‌ی هنرهای معاصر و با توجه به معماری ویژه اش، دو اجرای صدا طراحی شده است که هنرمندان آلمانی، لهستانی و ایرانی را گردهم می‌آورد. در اجرای نخست در روز پنجشنبه، بیست ونهم بهمن 94، دوئت “معتبر- روسلر” و در اجرای دوم در اول اسفند 94 دوئت “اسپكترو” سرسرای موزه را سرشار از شنیدن خواهند کرد.
    دوئت “معتبر- روسلر” ، مستقر در شهر لاهه‌ی هلند با ترکیب المان‌هایی از جهان بیرون و منابع صوتی انتزاعی که به صورت مصنوعی تولید شده‌اند، به تولید صداهایی پرداخته‌اند که به سختی قابل تعریف است.
    قطعه‌ها در داخل یک قالب اکیدا ثابت، بداهه‌نوازی می‌شوند و محتوی آنها از سه عنصر اصلی تشکیل یافته است: گیتار کلاسیک (که لئونی روزلر آنرا می نوازد)، اجرای الکترونیک صداهای گلیچ (توسط سهراب معتبر) و مناظرصوتی‌ تهیه‌شده از طریق ضبط‌ میدانی (توسط روزلر). این گروه دونفره به تازگی آثار خود را در کشور هلند و همچنین در شهر برلین به اجرا در آورده‌اند و مقصد بعدی آنها تهران خواهد بود.
    دوئت اسپكترو از سال ١٣٩٢بر اجراهاى زنده‌ی الكترونيك و الكتروآكوستيك تجربى تمرکز دارد كه گاهى با فرم هاى سازه‌اى پيچيده و باقى اوقات بر پايه‌ی بداهه نوازى‌هاى آزاد دنبال شده اند. موزيك دوئت اسپكترو همواره بر پديده‌هاى سايكوآكوستيك و ادراك شنيدارى تمركز داشته است. آنها هميشه مخاطب را به دنياى ناشناخته‌اى از صداهايى كه براى هر پروژه خلق مى‌كنند، فرا مى‌خوانند.

    «دوئت معتبر- روزلر» پنجشنبه، بیست ونهم بهمن ،94 ساعت پنج عصر
    «دوئت اسپكترو» شنبه، اول اسفند 94، ساعت پنج عصر
    موزه‌ی هنرهای معاصر تهران، خیابان کارگر بالاتر از پارک لاله
    علاقمندان جهت ورود می بایست بلیت ورودی موزه هنرهای معاصر تهران را تهیه نمایند.

  • Wake-up Stories, Summer Residency at Club Solo, Breda

    Wake-up Stories, Summer Residency at Club Solo, Breda

    ‘Wake-up Stories’ Parkingallery Tehran

    Hotel Solo
    6 till 28 August 2016

    Throughout August, Club Solo will host the independent artists’ initiative Parkingallery from Tehran, taking on the name of Hotel Solo to host artists from abroad. This marks the second time a foreign artists’ initiative has been a part of the Hotel Solo programme.

    Hotel Solo is Club Solo’s way of reaching out to international artists’ initiatives and providing them with the opportunity to present themselves outside of their own location. They do so according to their own insight.

    Parkingallery has presented young artists from Tehran since 1998. One component of its programming is the Iranian New Media Society (INMS), a platform for studying and showing new media art in Iran. Parkingallery will start a new initiative in Breda: ‘The Nomad School for New Media, Sound and Performance’. Nine young Iranian artists will be presenting workshops, events and public projects at Club Solo, under the moniker of ‘Wake-up Stories’.

    Wake-up Stories

    – When did you wake up?
    – I don’t know, a while ago…
    – Tell me about it?
    – Why? do you wanna ask if I had a dream?
    – No, tell me a story, a wake-up story!

    Storytelling is an essential part of Iranian culture, and an important aspect of the participating artists’ projects.

    ‘Wake-up Stories’ will play host to a number of meetings and exchanges centred around the notion of awakening and the transition from sleeping to waking. How does storytelling play a role in this? How can stories feed the imagination and bring about connections and changes?

    The artists from Iran will be working together with Iranian artists living and working in Europe and guest lecturers from the fields of visual art, performance, film, audiovisual media, architecture, photography, and cooking., Parkingallery initiator and curator Amirali Ghasemi will act as the curator of ‘Wake-up Stories’.

    Artists (Iran)
    Sara Saniee (Teheran, 1977), Amirali Ghasemi (Teheran, 1980), Raha Faridi (Teheran, 1980), Allahyar Najafi (Iran, 1980), Nasim Davari (Teheran, 1981), Shahrzad Malekian (Teheran 1981), Maede Jenab (Teheran, 1985), Sajedeh Elhami (Mashad, 1988)

    Guests (Nederland, Duitsland en België)
    Nazgol Emami (Teheran 1978, woont en werkt in Keulen), Sohrab Motabar en Leonie Roessler (Teheran, 1984 en Duitsland, wonen en werken in Den Haag), Erfan Abdi (Teheran, 1983, woont en werkt in Den Haag), Mahdieh Fahimi (1988, woont en werkt in Gent), Setareh Fatehi Irani (woont en werkt in Amsterdam), Atousa Bandeh (Teheran, 1968, woont en werkt in Amsterdam), Pendar Nabipour (woont en werkt in Rotterdam)

    PROGRAMME AND OPENING HOURS (6-28 August)
    You can visit Club Solo from Wednesday till Sunday from 11 AM til 5 PM. Besides these regular opening hours, there are events plannend every week which you can find on our Website and Facebook page.

    Programme week 31 (week 1, 1 – 7 augustus)
    Programme week 32 (week 2, 8-14 augustus)
    Programme week 33 (week 3, 15-21 augustus)
    Programme week 34 (week 4, 22-28 augustus)

  • VIDEO-THERAPY, SESSION TWO : Faramoushi [To Forget]

    VIDEO-THERAPY, SESSION TWO : Faramoushi [To Forget]

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    VIDEOTHERAPY, SESSION TWO : Faramoushi [To Forget]
    Videos from Parkingallery Archive
    Curated by Amirali Ghasemi 
    With

    Mehraneh Atashi, Amir Bastan, Maede Jenab, Payam Mofidi, Taimaz Moslemian, Nassrin Nasser, Bahar Samadi, Aliyar Rasty & Rambod Vala

    Screening dates:
    27 January, 30 January and 12 Februrary, 2015
    19:00 – 21:00
    Gallery of Art
    Temple University Rome
    Lungotevere Arnaldo da Brescia, 15
    000196 Roma
  • Limited Access V festival | Aaran, no 6, Vista Galleries & Darbast Platform

    Limited Access V festival | Aaran, no 6, Vista Galleries & Darbast Platform

    Limited Access Festival 5 | Poster Designed by Hooman Alizadeh
    Limited Access Festival 5 | Poster Designed by Hooman Alizadeh
    Limited Access, International Festival of moving image, sound and performance was founded by Parkingallery projects in early 2007 and will celebrate its 5th edition and 7th anniversary in December 2014.
    The Tehran based Festival, naturally evolved from Parkingallery’s Video Archive: an ongoing project which documents the diverse and fragmented Iranian new media art scene both in Iran and abroad since 2004.
    Limited Access collaborates with individuals, collectives and archival projects across the globe. Formerly, it teamed up with Reloading Images (Berlin), SCCA (Ljubljana), Townhouse Gallery (Cairo) and Studio Strike (London).
    Recently, it has partnered with the NEW MEDIA SOCIETY which is a Tehran based Archival initiative to collect, record and research with focus on new media.
    The Festival has had the pleasure of working with various guest curators, to name a few: Miha Colner & Ida Hirsenfelder (SCCA – Ljubljana), Sarah Rifkey (Townhouse Gallery Cairo), Rozita Sharafjahan (Azad Gallery – Tehran ), Bita Razavi (Helsinki ) Shirin Sabahi (Stockholm/Berlin), Anahita Hekmat (Paris), Sona Safaei Sooreh (Toronto) & Ryan b Willie (San Francisco – free form film festival).