{"id":1268,"date":"2011-03-08T23:02:05","date_gmt":"2011-03-08T23:02:05","guid":{"rendered":"http:\/\/www.parkingallery.com\/?page_id=1268"},"modified":"2026-08-17T15:58:12","modified_gmt":"2026-08-17T15:58:12","slug":"limited-access-3","status":"publish","type":"page","link":"https:\/\/www.parkingallery.org\/?page_id=1268","title":{"rendered":"LIMITED ACCESS 3"},"content":{"rendered":"<h1>\n<p><figure style=\"width: 480px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/limitedaccessfestival.com\/\"><img loading=\"lazy\" decoding=\"async\" title=\"LIMITED ACCESS 3\" src=\"http:\/\/parkingallery.com\/images\/LIMITEDACCESS3.gif\" alt=\"LIMITED ACCESS 3 by Mohammad Khodashenas\" width=\"480\" height=\"672\" \/><\/a><figcaption class=\"wp-caption-text\">LIMITED ACCESS 3 at Mohsen Art Gallery<\/figcaption><\/figure><\/h1>\n<p>Now, as we are at the beginning of the 3rd edition of Limited access, the festival which started as a low budget screening program in 2007, in its 5th year of existence has found its partners and collaborators, overlooking our experiences from last events we can happily say that there is an increasing interest and many profesional initiatives are being shaped and developed to expand the scene.<a href=\"http:\/\/www.mooweex.com\/\">Mooweex<\/a> has organized an special documentary night for the opening with films by distinguished directors from its archive. Parkingallery projects is launching the first chapter of Remote Homecoming, a multi-fragmented platform to re-connect with curators, artists and thinkers beyond Iran\u2019s border. Besides, 2 surprise performances by artist and musician Martin Shamoonpour is scheduled for the last day followed by a special animation screening featuring the director\u2019s talks with highly-celebrated artists and animators Aliakbar Sadeghi and Hamid Bahrami.\u00a0<a href=\"http:\/\/saroseda.net\/\">Saroseda<\/a> will be presenting an interactive installation based on Regional Epic music of Iran throughout the 3 day events at Mohsen Art Gallery. The catalog of Limited access 3 is designed by 2 fresh blood designers at\u00a0<a href=\"http:\/\/www.newbookz.com\/\">Newbookz<\/a>: Shahab Tondar and Sam Keshmiri,and our limited edition silk screen poster is designed by Mohammad Khodashenas at\u00a0<a href=\"http:\/\/100x70.com\/\">100\u00d770 studio<\/a>, Lahijan and printed at\u00a0<a href=\"http:\/\/www.daraprints.com\/\">Dara Print House<\/a> by Foad Sharifi.<\/p>\n<p>Limited access 3, as an ongoing project will be landing in various venues and places across Iran and region through the year.\u00a0for more info visit the festival\u2019s website :\u00a0<a href=\"http:\/\/limitedaccessfestival.com\/\">http:\/\/limitedaccessfestival.com\/<\/a><\/p>\n<h1><strong>The Program:<\/strong><\/h1>\n<h2><span style=\"font-weight: normal;\"><span style=\"color: #ff0000;\">Thursday March 10, 5-8 pm<\/span><\/span><\/h2>\n<h2>Documentary Screening<br \/>\n<span style=\"font-weight: normal;\">Curated by Mooweex<\/span><\/h2>\n<h3>Rhythm (Hossein Tehrani and His Drum) | <span style=\"font-weight: normal;\">Manouchehr Tayyab -1971 <\/span><br \/>\nArbaeen |<span style=\"font-weight: normal;\"> Nasser Taghvai &#8211; 1970<\/span><br \/>\nBaad-e Sabaa, Lovers\u2019 Wind | <span style=\"font-weight: normal;\">Albert Lamorisse &#8211; 1970-1978<\/span><\/h3>\n<h2><span style=\"font-weight: normal;\"><span style=\"color: #ff0000;\">Friday March 11, 5-8 pm<\/span><\/span><\/h2>\n<h2>Remote homecoming : Chapter one<br \/>\n<span style=\"font-weight: normal;\">Video Program Curated by Amirali Ghasemi<\/span><\/h2>\n<p>Remote Homecoming is a platform designed to bring videos made by Iranians across the border remotely back home, and to bridge the gap between so called \u201cinside\u201d and \u201coutside\u201d, while acknowledging these terms are fading rather quickly or at least are changing tremendously in the 21st century, still there are numerous obstacles to communicate between the scenes and there is a lot to be learnt. Chapter one of remote homecoming is a selection of short films, videos and performances from a wide range of Iranian artists from emerging to established and tries to show a gradient of practices across various disciplines and mediums, while focusing on professional use of sound, visuals and performance as its point of departure.<\/p>\n<h3>Alphabet | <span style=\"font-weight: normal;\">Sona Safaei (Canada\/Iran) &#8211; 1:30 &#8211; 2010<\/span><br \/>\nUpwards | <span style=\"font-weight: normal;\">Bahar Samadi ( France\/Iran) &#8211; 3:03 &#8211; 2010<\/span><br \/>\nZone End | <span style=\"font-weight: normal;\">Nooshin Farhid ( UK\/Iran) &#8211; 2:30 -2007<\/span><br \/>\nThe Widest Window | <span style=\"font-weight: normal;\">Naghmeh Abbasi (Canada\/Iran) &#8211; 6:00 &#8211; 2009<\/span><br \/>\nChalk House | <span style=\"font-weight: normal;\">Sona Safaei (Canada\/Iran) &#8211; 2:25 &#8211; 2010<\/span><br \/>\nThe Agreement | <span style=\"font-weight: normal;\">Golnaz Payani (France\/Iran) &#8211; 3:00 &#8211; 2010<\/span><br \/>\nInterdit | <span style=\"font-weight: normal;\">Sima Khatami (France\/Iran) \u2013 3:55 &#8211; 2003<\/span><br \/>\nMahtab | <span style=\"font-weight: normal;\">Mohammad Abbasi (France\/Iran) &#8211; 5:51- 2009<\/span><br \/>\nRostam\u2019s Dream | <span style=\"font-weight: normal;\">Fereydoun Ave (France\/Iran) &#8211; 6:18 &#8211; 2009<\/span><br \/>\nToutes ces choses (N\u00b01) | <span style=\"font-weight: normal;\">Bahareh Samadi (France\/Iran) 3:28 &#8211; 2010<\/span><br \/>\nStillness | <span style=\"font-weight: normal;\">Roozbeh Rashidi (UK\/Iran) 7:53 &#8211; 2008<\/span><br \/>\n104-3+23 | <span style=\"font-weight: normal;\">Anahita Hekmat (France\/Iran) 6:00 &#8211; 2010<br \/>\n<\/span>&#8212;&#8212;-<br \/>\nYek Atash, A Fire (1961) | <span style=\"font-weight: normal;\">Ebrahim Golestan<\/span><\/h3>\n<h2><!-- \t\t@page { margin: 0.79in } \t\tP { margin-bottom: 0.08in } --><span style=\"font-weight: normal;\"><span style=\"color: #ff0000;\">Saturday March 12, \u00a05- 8 pm<\/span><\/span><\/h2>\n<h2>The Night for Animation, Performance and Sound<\/p>\n<p><figure style=\"width: 480px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" title=\"The Rook, Rokh\" src=\"http:\/\/parkingallery.com\/images\/ROKH-POSTER.jpg\" alt=\"The ROOK, poster by Aliakbar Sadeghi\" width=\"480\" height=\"644\" \/><figcaption class=\"wp-caption-text\">The ROOK, poster by Aliakbar Sadeghi <\/figcaption><\/figure><\/h2>\n<h3>Interrupted Access |\u00a0Martin Shamoonpour, Sound Performance<\/h3>\n<h3>Animation Screening:<br \/>\nMosaafer-e Ofogh, Traveller of Horizon | <span style=\"font-weight: normal;\">Hamid Bahrami<\/span> <span style=\"font-weight: normal;\">&#8211; 2006<\/span><br \/>\nRokh, The Rook | <span style=\"font-weight: normal;\">Aliakbar Sadeghi<\/span><span style=\"font-weight: normal;\"> &#8211; 1974<br \/>\n<\/span><br \/>\nDirector&#8217;s Talk with Ali Akbar Sadeghi and Hamid Bahrami<\/h3>\n<h3>Qathiiinu | <span style=\"font-weight: normal;\">A Storytelling Performance by Martin Shamoonpour<br \/>\n<\/span><\/h3>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<h2><strong>Epic music of Iran<br \/>\n<\/strong><span style=\"font-weight: normal;\">An\u00a0Interactive\u00a0installation by Saroseda, March 10-11-12<br \/>\n<\/span><span style=\"font-size: 13px; font-weight: normal;\"><br \/>\nMohsen Art Gallery <\/span><span style=\"font-size: 13px; font-weight: normal;\">Address: No. 42, East Mina Blvd, Farzan Street, Naji Street, Zafar, Tehran. IRAN &#8211; <\/span><span style=\"font-size: 13px; font-weight: normal;\">Telephone: 22255354<\/span><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Now, as we are at the beginning of the 3rd edition of Limited access, the festival which started as a low budget screening program in 2007, in its 5th year of existence has found its partners and collaborators, overlooking our experiences from last events we can happily say that there is an increasing interest and &hellip; <a href=\"https:\/\/www.parkingallery.org\/?page_id=1268\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">LIMITED ACCESS 3<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1268","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.parkingallery.org\/index.php?rest_route=\/wp\/v2\/pages\/1268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.parkingallery.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.parkingallery.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.parkingallery.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.parkingallery.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1268"}],"version-history":[{"count":0,"href":"https:\/\/www.parkingallery.org\/index.php?rest_route=\/wp\/v2\/pages\/1268\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.parkingallery.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}